
Lorna and I did some research and we found out a lot about what Brecht came up with.
- Verfremdungseffekt = Distancing
- Wanted the audience to think
- Theatre for the brain, not for the heart
- Didn't want the audience to become emotionally attached
- Breaking the fourth wall - directly addresses the audience
- Narration
- Third-person narration (normally takes place within a freeze-frame)
- Speaking the stage directions
- Using placards
- Multi-rolling
- Minimal set / costume / props
- Symbolic props
- Bright whit lights / visible scene changes
- Song & dance - style of the music and lyrics don't seem to fit together
- Montage (a rapid sequence of cross-faded or straight-cut segments)